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Mode Records

Mode Records was a short-lived but historically significant American jazz label active during 1957–1958, based in Hollywood, California. Though its output lasted barely a year, Mode carved out a distinct niche: it documented a cool, West Coast–inflected modern jazz scene with exceptional recording quality and a roster of top-tier musicians. The label released around 30 LPs, primarily in the Mode 1000 series, and quickly gained a reputation among audiophiles and collectors for its high production values. Recordings were often engineered by Val Valentin at Radio Recorders, a premier Hollywood studio, giving Mode albums a clear, warm sound that rivaled or surpassed larger labels of the time.

Mode’s catalog is a treasure trove of West Coast jazz heavyweights. Artists included Art Pepper, Richie Kamuca, Carl Perkins, Conte Candoli, Teddy Edwards, Leroy Vinnegar, Red Mitchell, and many others—often in intimate small-group settings that allowed their playing to shine. Notably, Art Pepper’s “Modern Art” (Mode 127) is widely considered a highlight of his discography, prized by collectors for both its artistry and scarcity.

Label Insights

  • Short Run, Big Impact: Mode was only active for about a year, folding due to financial issues despite critical acclaim. This limited run means original pressings are both rare and collectible, often commanding high prices on the collector market.

  • Numbering Quirk: Mode used a 1000 series numbering system, but not all numbers were issued; some LP numbers were skipped or planned but unreleased, creating a bit of a discographical puzzle for completists.

  • Design & Presentation: Mode albums had clean, modern cover art with distinctive typography—less flashy than Blue Note or Contemporary, but elegant and consistent. This minimalism has made them cult favorites among design-conscious collectors.

  • Distribution Oddity: After Mode’s demise, some titles were briefly distributed by Vogue and Interlude Records, leading to pressing and label variations that fascinate discographers.

While it never reached mainstream recognition, Mode Records remains a connoisseur’s label: brief, brilliant, and beautifully documented. Its catalog captures a particular West Coast jazz moment with unusual fidelity and style, making Mode a cult classic among serious jazz collectors.

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Richie Kamuca Quartet – Richie Kamuca Quartet

30,00 €Record VG+ · Sleeve VG+US 1985 · Reissue
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Herbie Harper Sextet – Herbie Harper Sextet!

25,00 €Record VG · Sleeve VGUS 1957 · 1st pressing
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Stan Levey Quintet – Stan Levey Quintet

40,00 €Record G · Sleeve VGUS 1957 · 1st pressing
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Mel Lewis Sextet – Mel Lewis Sextet

20,00 €Record VG+ · Sleeve VG+US 1985 · 1st pressing
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The Paul Togawa Quartet – Paul Togawa Quartet

20,00 €Record VG+ · Sleeve VG+US 1987 · 1st pressing
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Frank Rosolino Quintet – Frank Rosolino Quintet

40,00 €Record G+ · Sleeve VG+US 1957 · 1st pressing
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Joy Bryan, The Marty Paich Septet – Joy Bryan Sings

15,00 €Record VG+ · Sleeve VG+US 1989 · 1st pressing
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Conte Candoli Quartet* The Conte Candoli Quartet Read More – Conte Candoli Quartet

55,00 €Record VG · Sleeve VG+US 1957 · 1st pressing
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Bobby – Bobby Swings Tenderly

45,00 €Record VG · Sleeve VGUS 1957 · 1st pressing
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Joanne Grauer Trio – Joanne Grauer Trio

60,00 €Record G+ · Sleeve VGUS 1957 · 1st pressing
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Eddie Costa Quintet – Eddie Costa Quintet

45,00 €Record VG · Sleeve VGUS 1957 · 1st pressing
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Al Viola – Solo Guitar

35,00 €Record VG · Sleeve VGUS 1957 · 1st pressing
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Warne Marsh Quartet – Music For Prancing

25,00 €Record VG+ · Sleeve VG+Netherlands · Reissue